This is the sequel of my 2023 article Ancient Towers as Antennas. Read it before you read these one.

I assert that ancient towers, pavilions, crowns and royal umbrellas were not just for ornamental or ceremonial purposes but for directing (weapons), receiving (access to higher worlds) and harvesting (to power cities) atmospheric energy. 

 

Crowns of Burma

The nation of Burma was recently renamed Myanmar to reflect it’s older name. But maps from the 1700s reveal that the country wasn’t called Myanmar, it was called Brama, which is the ancient Asian name for God and the root of the word A-braham. Linguistics always reveal a unified worldwide culture. 

The Burmese word Hti is the word for “umbrella” or the ornament that tops Burmese pagoda (towers), as here:

Kuthodaw Pagoda, Mandalay

 

Kuthodaw Pagoda, Mandalay

 

Burma’s old city-layouts look like electrical circuits.

Mayanmar Palace in the photo below. One wonders if the wires emanating from such buildings are actually for grounding (electrical safety), if they secretly harvest free energy. On the Hti above, you see light bulbs attached to the wire. Locals should take a closer look. 

 

This tower pictured beliw is called “Virochana”. The Pali, Sanksrit word “Viro” sounds like “Fire” to me. I looked up the translation and got: “shining brightly” “the sun”. The supreme deity of the Inca people, on the other side of the world, who rode around in his fiery chariot is called “Viracocha”, which to me sounds like “fiery coach”. Words around fire and light are common in Antenna-like ancient objects. 

 

 

I’ve long maintained that the sacred buildings of the world are much taller but today partially buried underground, post mud-flood. The Temple Hill in Mandalay hints at this:

 

 

We see large stone structures below the upper visible facilities. I believe other ancient buildings are the same but there’s mostly no visible sign of the of the underground buildings; they are buried and sealed off or still in use but kept secret. The sacred city shown above appears to be the tops of gigantic Pyramids. The meaning of “Pyra” is also Fire and still retained in the Greek word “Pyro”.

The Burmese word Hti describes the top of the Pagoda and also to royal umbrellas. In old books, the translation to English is also “Crown”, which is a more accurate translation. They crown the heads of Kings and they crown the Pagodas.

The Hti umbrella was only used by higher social classes. The white Umbrella was exclusive to King and Queen. Next in rank was the golden Umbrella. Lower-level officials used a red Umbrella. This reflects the “colors of the spiritual realms” and “levels of consciousness” which go from red for the underworld to green for earth, blue for sky, dark blue for cosmic ocean, violet and then golden-yellow for the spiritual realm and finally white for the Godhead. The red-green-gold-white levels are shown in this image, with the Hti being white:

 

Umbrellas were embellished with images of sylphs and fairies in gold, pearls, diamonds, rubies, emeralds, corals and more, to represent Heaven (just like described in the Book of Revelation). Each of the 11 umbrella type corresponds to certain “nat thami”, translated as “spirits” or “deities” by modern academia. It’s possible that they originally referred to consciousness-levels. The tip of the hti is often diamond studded and hung bells meant to attract “good spirits” (or, if this is a mistranslation, “good energy”).

The Hti represents “supreme spiritual sovereignty” and a sign that a King was legitimately appointed by Heaven, acting as a “bridge between earth and heaven” and communicates that the “supreme being” rules over all spiritual and physical planes. In the old world, rulers were not elected by the people, they were appointed by the Supreme Ruler in Heaven.

According to Burmese History (called “Mythology” by modern Academia), when a Hti is raised and fixed into place, “cosmic reactions” occur, such as

Earth Tremors

Sweet Smelling Winds

Sudden Showers of Celestial Jewels or Lotuses

These reactions signify that “heaven approves of the umbrellas placement”.

The hanging gold and silver bells of the hti are said to “catch the passing breezes of the spiritual realm”, “turning the movement of the wind into an unceasing, automatic prayer that generates continuous karmic merit for the original builders and the community”.

These historical, traditional descriptions recall atmospheric energy harvesting. Especially earth tremors, change of smell, sudden showers, and the antenna “catching the breezes” (frequencies?) of a spiritual realm.

Hti is the Burmese version of the Buddhist and Hindu word Chatra. The Chatra is considered an auspicious symbol in Asia. Outside of Burma we find 3,7,8 or 9-tiered Chatras (umbrellas and head crowns). The Chatra symbolizes the crown chakra (pineal gland – which is why the top of many royal European pavilions have pines on them). Royals of southeast Asia wore Chatra crowns atop their heads to magnify their personal energy and stay cosmically attuned. Thus, the Pagoda Chatra has the same purpose and being much bigger, receives and magnifies energy much more strongly.

The word for King in Sanskrit is “Chhatrapati”, another word I understand without translation: Ch-Hat-Ra-Pati. Hat stands for Hat (Hti in Burmese), Ra stands for Light (in Egyptian, Ancient German and countless other ancient languages, including the English Ray) and Pati stands for Father (or in Sanskrit for Master and Ruler). Chhatrapati then means Hat-Light-Master or Hat-Light-Father. What a perfect word for King! The word Ra or Light comes from the fact that these crowns are energy receivers and emitters, in my opinion.

Clues of ancient-tech are in small details and visible for anyone who bothers to LOOK. 

A Thai King is only allowed to sit below a nine-tiered Chatra once his coronation is fully completed:

 

The symbolism means that a King sits below the 9 Heavens and legitimately rules on their behalf.

 

Pagodas as Weapons

The famous Botatauang Pagoda (image below) is said to have been built over 2500 years ago by the Mon people.

I asked how many towers it has and got this Google-AI answer:

“There is no official numerical count specified for the surrounding miniature spires or subsidiary towers”. 

Imagine that: Millions of tourists visit every year and they can’t tell them how many towers they are seeing. I could probably count them if I took the time to examine the aerial photo above and yet, there appears to be no official record of their number. Why the secrecy?

There is a relic of the “sacred hair of the Buddha” inside this Pagoda.

We don’t know if this relic is authentic as the British destroyed the original Pagoda to ashes in World War II, after which it was rebuilt. The re-builders claimed they were able to recover the strand of hair in the ashes but I have my doubts. The relic would attract millions of tourists and admitting that a strand of hair was burnt in the bombing is not something the tourist-board would want to share. 

The destruction makes no sense as Britain was not at war with Burma. The British were ostensibly trying to get the Japanese troops to leave the country, so why would they bomb Burmese sacred sites instead? From years of research, I lean toward this view: The real purpose of the World Wars was to destroy the old world.

Not only did they destroy the old Pagoda, they also destroyed photos of it. Google AI informs me that

In the Bible, “Dagon” is a major God worshiped by the Philistines and other Middle Eastern Groups. The pagan tribes were said to have captured the Ark of Covenant and placed it in Dagon’s temple. The statue commemorating Dagon is said to have fallen on the ground in front of the Ark twice, breaking its head and hands. The Philistines sacrificed to Dagon, which is why Samson destroyed the Idol, killing thousands of people in the process. Saul’s head was fastened inside the temple of Dagon. Temples dedicated to Dagon were localed in Ashdod and Gaza.

There was even a town named “Beth-Dagon” which is translated as “house of Dagon”. But the ancient German word “Beth” means “prayer” and in some ancient African tongues it means “house of worship”. And thus, we come full circle to “Temple of Dagon”. Dagon was thought to be a “deity” who was half-man and half-fish. Dagon is also featured in various horror-movies and books by H.P. Lovecraft.

Our religious authorities refuse to research or even acknowledge the thousands of corresponding names between the Abrahamic Religions and Eastern Religion, presumably due to “cultural sensitivities”. How much do we really want to know?

Only the Terrace of Shwedagon (to the left) 1824:

It’s curious that old artists depictions of the main part – the crown – are hard to come by. We have drawings and paintings of every other aspect, why is the sacred crown omitted?

The stupa is said to be made of bricks with gold plates. The crown is tipped with 5448 diamonds and 2317 rubies. At it’s top we find a 76 carat Diamond.

The Southern Entrance in 1899 with Shwedagon in the background:

 

Here it is in 1855:

There are several old 1800s photos which show Shwedagon neglected, almost in ruins with grass growing atop the chatra. Why these people most sacred object is in such a state of neglect is a complete mystery – if we believe official History. But if you’re reading this website, you know why. The old world was destroyed in a forgotten 1800s war. Nor am I surprised that the top looks very different from its modern version:

My theory is that these towers were once energy-transmitters and weapons of a defeated Empire. Post 1900s they were repurposed to “sacred sites” for visiting tourists. 

All of their “sacred sites” look decayed in the 1800s:

 

A famous Burmese “Nat” (translated as spirit or deity) is Mya Nan Nwe. She was a Naga (Dragon, Serpent) said to guard the Botahtaung Pagoda and would “grant the wishes of people who appealed to her for help”. Similar tales of Reptilians guarding these Antennas are found throughout Southeast Asia. The Nagas are seen as “semi divine” beings as they are half-human and half-serpent. According to “Burmese Lore”, they reside below Earth and can temporarily shapeshift to appear as humans. Once again we find a direct correspondence to Abrahamic Religions – but in reverse, with the “bad guys” being “the good guys”.

Based on cross-cultural mythology, these antenna-weapons could have been built by the “angels of Heaven” or by the “fallen angels”. They may have been utilized by Naga-Serpents as weapons against troops from the sky. In the Burmese language another word for the pagoda was phaya, derived from Sanskrit. What does that remind you of? Fire? It wouldn’t surprise me, as fire or electricity is in fact the most obvious form of energy. Another word is Zedi which derives from the Pali word Ceitya. What a coincidence. It reminds me of the antennas searching for extraterrestrial life, called SETI, and also of Seth, Set and Satan.

According to Burmese History, the Sule Pagoda (image from 1890 below) was the home of a Nat (spirit, deity) named Sularata (the Sule Spirit). According to my book “The Lost Secret of Ancient German” the word “Sule” refers to a ray of energy that emanates from towers to the stars. Sularata (Solar-Rata) indeed! 

 

 

A pagoda that faces the Shwedagon is called Maha Wizaya – a word which any reader of my book “The Lost Secret of Ancient German” can easily decipher as Maha (Maker, Creator) Wizaya (Wise, Wizard). The Wise Creator.

So let me ask you again: When you look at the image below, do you see a mere decorative ornament or something more?

 

The Royal Thai Crown, 1800s:

 

Prior to the secret world war and reset in the early 1800s, crowns were higher. After 1860 they got lower – symbolizing a descent of humanity?

Of course the crown of the Pope only offers three levels, as Christianity knows teaches of three Heavens, compared to the 7, 8 or 9 Heavens of the Asians:

The cross, by the way, is placed at the exact location of the hidden “Cosmic Chakra”, one level above the Crown Chakra. The purpose is to magnify that energy center, receive cosmic intel and have prayers travel higher.

 

Pavilions

File the image below in “Evidence our overlords forgot to remove”.

 

This old photo of unknown origin (I screenshot it decades ago from an old book but forget the title) appears to show atmospheric energy interacting with the Pavilion. A woman is sitting inside it and seems to be holding a wand. Another woman seems to be kneeling in front of her. I believe old Pavilions harvested free atmospheric energy. People could go under them to recharge the human battery.

According to the Wikipedia page the etymology of the word “Pavilion” traces back to words meaning “movable habitation” and “butterfly”. Was there a time pavilions could fly?

I don’t make any fanciful leaps of thinking without specific evidence, such as this drawing from the year 1647:

We see the roof of the pavilion hovering in the air. The title “Catafalco”, which the Dictionary says is a pavilion, housing or platform meant to raise and display a coffin at a funeral.

My first hunch that there could be more to “Pavilions” (alternative words: Gazebo, Bandstand) came to me in the summer of 2008. I was living in the city of Munich and spent a lot of time working on park benches in a place called “English Garden”. There was a Pavilion called “Diana Temple”:

In its center there was an eight-pointed star. If I stood on it for a while I felt a pleasant vibrating sensation on the top of my head. I sometimes asked students of mine to stand there without telling them what they were supposed to feel. Some of them also felt the energy on their heads.

Back then i thought it was built by esoterically minded people to have that effect. Today I think it may be the phantom-aftereffect of  a much stronger energy that pavilions used to generate, extract and house.

We’ve seen dozens of 1800s photographs that show the tops or antennas being blown off of buildings, as in this Pagoda:

Why the emphasis on the top? Why destroy it? Why omit it from photos?

Pavilions and Pagodas remain, but their tops have been altered or removed. It’s easy to find hundreds of examples of this by comparing old photos with even older photos. Most changes were made in the late 1800s. Here’s the “music bandstand” of central park in 1865:

A close-up of the top:

 

The 1900 edition has replaced the top:

 

A Pavilion in Bratislava in modern times:

 

 

In older days we find something else:

 

Who chopped it off and why? Not once throughout all my research have a read a printed explanation. They remove it and don’t tell you why. If there were a rational explanation, you’d read about it in the local newspapers.

This is a Thai Pavilion. In Thailand they are called Sala Klang or just Sala.

 

The Thai word “Sala” means “Hall” or “Large Room”. The German word “Saal” sounds the same and means exactly the same thing.

The Thai word “Klang” is claimed to mean “provincial” on Wicked-pedia but I didn’t find the word in an online Thai Dictionary. That’s because it’s also German. The German word “Klang” does not mean “provincial” it means “sound”.  So the Thai word Sala Klang means “Hall of Sound” in German. It is surely no coincidence that the English word for Pavilion is bandstand – a reference to where music bands perform.

But what does this have to do with harvesting energy? The ancient Chinese believed that one could heal one’s personal energy in “sound rooms”. Sound is energy translated into audible form.

This painting is called “Chinese Pavilions in the Vauxhall Gardens”, made in the year 1755. It doesn’t resemble anything we were taught is Chinese architecture.

Notice anything peculiar?

Take a close look before reading on:

There appear to be three individuals at the bottom and three individuals floating above them in the air. The right side person is blowing smoke away, meaning there must be a fire at the bottom. At first inspection I assumed some kind of wellness purpose. Then I noticed that one of the three figures floating at the top has angel wings. And the other two individuals are copies of the couple sitting center and left below. The woman in the center looks like a ghostly apparition at the top. And the man on the left is still wearing the same hat and clothes in his floating, disembodied version.

What is going on here? Don’t bother asking Google. The other people walking around the yard don’t appear to think that anything unusual is happening. Here, the Pavilion is used, in conjunction with fire, to leave one’s body, float upwards and consult with angels.

Perhaps this is why we see statues of angels at the top of many Pavilions in Europe, as well as the Pine for Pineal gland. Our ancestors appear to have used these to make a temporary trip to the celestial realm to consult with higher ups.

If it’s true that Pavilions were used to access the Heavens it gives a whole new meaning to this structure inside St. Peter’s Basilica (that is completely off-limits to tourists):

This type of “ornament” is not called a Pavilion, it’s called a Baldachin which supposedly means “stuff from Baghdad”. I doubt this translation. The German word “Dach” means roof, so basically it’s “Balled Roof” (conspiracy theorists might see it as “roof of Baal”, which is still a smarter translation than “stuff from Baghdad”). Royals also had Baldachin above their thrones and beds.

Old paintings often portray apparitions of the Virgin Mary inside the Baldachin – with a little imagination we could speculate it’s a spiritual teleportation device. You might find my musings fanciful, but you must admit it makes more sense than saying “we just placed these huge structures inside even larger buildings because they’re pretty – you know – ornamental”.

The Pavilion of the Royal Kew Gardens, 1700s:

Many Pavilions were surrounded by water – meant to cool the electricity or fire? Most of them were associated with royal palaces and gardens – indicating privileged knowledge?

This is from the book “Garden Pavilions and the 18th Century French Court”:

My point: Asia was not the only place where pagodas were built. Europe is strewn with pointed towers, spires and cathedral steeples.

In Persia, Garden Pavilions were allegedly used by Royals to rest and relax. Notice the top:

If the primary purpose here is “protection from the sun” and “resting” as “scholars” claim, why do you need elaborate metal “ornaments” at the top that add to the weight? Input only “Pavilion” into a search engine and you find that modern-built Pavilions lack any sort of Antenna, simply because it’s not needed for the intended purpose of sun protection.

Image Above: Pavilion Cremorne Gardens England 1855

The drawings of what this structure allegedly looked like (which I can’t post here due to copyright) differ from the one surviving old photo. Guess where? Yes, the top.

 

A summary of the facts:

The ancients say that towers, umbrellas and pavilions that resemble antennas are related to fire, energy and angels. After the 1800s, many of their tops were altered, removed or chopped off.